In order to loosen up, I sometimes set up an assembly line of small format pieces of paper. I tape as many as five pieces of paper down on my masonite board. Then I start painting the first wash on one and then the next, and then the next. By the time I've painted several of these, I return to the first one which by then is dry, and proceed to the second wash on all the paintings. Finally, I place the darks strategically around the focal points.
This production line procedure not only helps to speed up my painting, thereby keeping a looser result, but I tend to repeat the same color schemes as well as rearranging the same objects into different compositions. This creates a small series which helps solidify an idea, a technique or a compositional problem.
Here are two paintings done in this manner. Hey! If it was good enough for Henry Ford.....well, you see where I'm going!
Tuesday, February 28, 2012
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