Mallards at Oak Point Farm
I've never been much of an animal painter. But about a week ago I saw this scene of some ducks on a pond near some trees on the bank. I loved all the crooked twists and turns of the branches. But I realized that the painting needed a more animated subject matter. Some ducks floated by, and I had my composition.
I realize that most people buy paintings because of subjects that they like or that they've seen on vacation. But that's not why I choose subjects to paint. I respond to a location--the sights, sounds, values, textures and most of all, the light. I like paintings not because of the subject matter, but because of the light, the colors and placement of the elements in the work. As you can tell from my paintings the past two months, this summer my colors of choice are blue and greens, and my fascination with water--the movement, the reflections, and the colors--are the real focus of my subject choices, rather than the things being reflected..
This painting should not be considered an illustration of ducks by any means. I'm more intent on things that comprise a painting than on a literal interpretation of the scene.
In short, know your purpose and your intention. Do you want to say something about light and shadows? Interesting textures? Brilliant colors? Subject matter is often a secondary consideration.
Wednesday, July 17, 2019
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